Category Archives: seventeenth century

Pots, Fish’n’Ships

NEC ND Festival of Pots copyright  smallcurator April 2013

Pots, Fish’n’Ships is an exhibition at The Burton Art Gallery and Museum in Bideford, North Devon, UK, opening 22nd February.

The lovely folks at The Burton have kindly agreed to partner smallcurator-all are hard at work to produce a fabulous display of contemporary and historic material:

We are drawing connections between contemporary North Devon potters’ output and the heyday of sgraffito decorated and plain wares, when North Devon pottery reached across the world. In the seventeenth and eighteenth centuries Bideford was at the centre of this trade.

Many of the contemporary pots on display here will be taken from the 200-odd pieces fired in The Kiln in the Park, in Victoria Park, just outside the Museum, in Bideford. When dozen contemporary local, national and European potters met and fired the kiln in the traditional way, using wood, over three days last September, a fantastic range of North Devon inspired pots resulted. This exhibition-Pots, Fish’n’Ships-is the final piece of this project funded by The Arts Council, to show North Devon pottery is both part of a historical continuum and a lively contemporary art.

The exhibition will be presented as quirky visual essays around themes taken from the contemporary pottery to blur boundaries between past and present.

Leave a comment

Filed under Bideford, ceramic, conceptual, contemporary, decoration, galena, glaze, Jamestown, kiln, lead glaze, North Devon, pottery, scraffito, seventeenth century, slip

Fame at last !!

Coverage of the Bideford Pottery Festival from Tony Gussin of The North Devon Gazette:

http://www.northdevongazette.co.uk/what-s-on/potty_about_pots_at_first_north_devon_festival_of_pottery_1_2368487

Leave a comment

Filed under Bideford, ceramic, galena, glaze, kiln, lead glaze, North Devon, pottery, scraffito, seventeenth century, slip

Gathering of the Pot Clan-19th 20th September 2013 Bideford North Devon

 North Devon Festival of Pottery Logo May 13. Drawing RS Lettering other.THE STORY BEHIND

  A CARGO OF POT HEADS:

DEMONSTRATORS AND SPEAKERS

                                              AT THE ARTS CENTRE BIDEFORD

                                19TH & 20TH SEPTEMBER 2013

 

The story began it seems like ages ago. Following the initial inspirational idea of Philip Leach to hold an event celebrating the early years of the pottery industry of North Devon, through focusing in particular on pots found at Jamestown in the 1930s, the idea has lately seemed to grow like topsy. However, at the start, we needed to flesh out the concept to structure a project likely to appeal to funders like Arts Council England with their particular focus on the contemporary rather than just heritage.

IMG_0084              IMG_0082

Historic Harvest Jugs of North Devon

Philip had made me aware of initial friendship contacts made in Virginia by Sadie Green [ www.sadie-green.blogspot.co.uk ], with generous funding from the Winston Churchill fund. Whilst I did initially speak to my existing museum contacts in Williamsburg, for comparison I decided to approach Merry Outlaw, a curator based at Preservation Virginia, Historic Jamestown [ www.preservationvirginia.org ] . Ruth Spires, formerly at Barnstaple Museum, had done a lot of spade work on Anglo-American trade links back in 2006-2007, with a view to holding a centenary celebration for Jamestown in Barnstaple (1607-2007), which sadly never happened, and had been in touch with Merry’s department at the time.

It’s not always easy to cold call complete strangers, particularly on the other side of the pond, but Merry had written an excellent piece on the 17th century sgraffito wares found at Jamestown for the leading US pottery journal, Ceramics in America [ www.chipstone.org/publications/CIA/2002/Outlaw/OutlawText ]. CiA as it tends to be called is highly regarded over here, both by academics, specialist dealers and collectors, so I was already sort of aware of her. She was an absolute delight and so helpful when I rang: I wanted to invite her over to speak about the Jamestown pots, but also to get her recommendations for potters working in the slipware/redware medium to come over and demonstrate.

DPP_0006(1) DPP_0002

Picture5 Picture12

In a weird twist of fate that almost makes you believe an idea is timely, she said that I just had to consider her friend Michelle Erickson – and gosh, she was currently over here in London. Spooky or what? Within two days back in September last year, I was on the doorstep of the Victoria & Albert Museum, and then met by arrangement with Michelle who was coming to the end of a summer residency. It also turned out that the previous day, her partner Rob Hunter who is editor of CiA [ www.ceramicsinamerica.com ] had arrived back from his travels. So here was the flesh on the bone of a good idea.

Michelle [ www.michelleericksonceramics.com ], whilst possibly best known for her amazing and thought provoking contemporary work, has also a tremendous command of pottery skills and an endlessly enquiring mind as to the techniques and skills behind the making of historic pots.  Being based in Virginia, a poetic idea of ‘bringing coals to Newcastle’ sprung to mind, to invite Michelle over to make and demonstrate slipware in Bideford using the very same local materials that went into the early Jamestown examples of 1650. However, and with a conscious nod to the contemporary remit of Arts Council England, I hoped that she would take the opportunity to freely reinvent things in her own inimitable fashion.  I wasn’t to be disappointed, as you can see from the photos of her current New England Cargo project work.

Michelle at the V&A ME DEVON SKULL -1 of 3- Michelle Erickson

To bring things alive from a more academic standpoint, we have also put together a group of top speakers and experts on historic ceramics of the West Country, with representatives drawn from the Bristol, Taunton and Exeter areas. With Merry additionally talking about both plain and decorated wares in a Jamestown context, and an old contact Niek Hoogland [ www.niekhoogland.nl ] from the Netherlands, who has a great resource of knowledge about early pottery of his region – the Symposium on 21st September will represent a unique opportunity for those interested to have an overview of the 17th and 18th century pottery scene in our area and Northern Europe.

Niek Hoogland image Niek Hoogland

Winding things right back to the 1960s, it was an American academic, Malcolm Watkins then at the Smithsonian Institute, who was an early influence and mentor of Devon’s own Harry Juniper, 80 years young this year. Watkins was acting as a bit of a pot detective, in trying to track down the source of the Jamestown pots which were then under-researched, and he and Harry couldn’t help but see similarities with sgraffito wares in local Bideford collections. The rest is history, as they say, but Harry’s own story is recounted in a new book and DVD sponsored by Arts Council England that we are launching over the main Festival weekend.

Harry Juniper  Country Potter Harry Juniper in the 1970s Harry Juniper

So it’s entirely logical for Harry and his son Nick, who now does most of the throwing at Bideford Pottery, to be lead demonstrators on Saturday 21st September, complemented by representatives from the Studio pottery movement, Joe Finch [see earlier blog on the Petroc kiln] and from Harry’s days at Beaford in the person of Maggie Curtis [ www.maggiecurtis.co.uk ].  They follow on from masterclasses by Michelle and Niek on Friday 20th, and in a more contemporary West Country twist, we are delighted that Sandy Brown [ www.sandybrownarts.com  ] has offered to talk about her approach to mark making and the use of local materials.  Enjoy !

IMG_0952 Sandy Brown image - cropped  IMG_0948

Harry Juniper harvest jug . Sandy Brown. Harry Juniper harvest jug.

A rare post from The Man Who Ran a Pottery Festival.

Leave a comment

Filed under Barnstaple, Bideford, ceramic, conceptual, contemporary, glaze, Jamestown, kiln, lead glaze, lecture, North Devon, pottery, scraffito, seventeenth century, slip

Saturday Symposium -21 st September 2103 Bideford Arts Centre

                          

NEC ND Festival of Pots copyright  smallcurator April 2013                             North Devon Festival of Pottery

                                                                                     Bideford & Barnstaple

                                                                                                       16th to 22nd September 2013

 

International Pottery Symposium              ** CLOSING DATE FOR BOOKINGS 16/09/13 **

Bideford Arts Centre & Burton Art Gallery and Museum

Saturday 21st September 2013

9am to 5pm

 

A day of talks by 5 speakers from the West Country and Overseas complemented by

a handling session of early Devon and Somerset slipwares

 

Venues: Bideford ACL, The Arts Centre, The Quay, Bideford, EX39 2EY (main talks); Burton Art Gallery, Kingsley Road, Bideford, Devon, EX39 2QQ (handling session)

Entry:  Strictly by advance day ticket only, covering events at both venues.

Cost: £75. Please note only 20 paid delegate places available. Charge includes a quality buffet lunch plus tea/coffee.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Speakers/presenters (in alphabetical order) and topics:

John Allan [Archaeologist]: The post medieval archaeology of the North Devon Potteries (talk)

David Dawson [Archaeologist]: An introduction to post medieval West Country slipware (handling session)

John Edgeler [Proprietor, Cotswolds Living Publications]:  Later North Devon and Studio Pottery sgraffito slipwares and their firing (talk)

Niek Hoogland [Slipware potter, Tegelen, Netherlands]: Low Countries slipware, its influences and development from post medieval times to the present day (talk)

Oliver Kent [Lecturer, Bristol School of Art]: The Bickley Ceramics Project: a 17th century kiln reconstruction (talk)

Merry Outlaw [Curator of collections, Jamestown Rediscovery, Virginia]: Plain and Fancy: North Devon Pottery in Colonial America (talk)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Provisional running order (all timings approximate):

 

9am     Commencement and welcome (John Edgeler), followed by John Allan (talk)

10am    Niek Hoogland (talk)

11am    Coffee and private handling session with David Dawson (Burton Art Gallery education room)

1pm     Buffet lunch (Bideford Arts Centre)

2pm     Merry Outlaw (talk)

3pm     Oliver Kent (talk)

4pm     John Edgeler (talk)

5pm     Close

Leave a comment

Filed under ceramic, glaze, kiln, lecture, pottery, scraffito, seventeenth century, slip

Slipware_Pottery_Hannah_McAndrew_The three with white bands at the top are for some sgraffito. I have some jugs too but they are yet to be handled. 2013 (19) Slipware_Pottery_Hannah_McAndrew_The three with white bands at the top are for some sgraffito. I have some jugs too but they are yet to be handled. August 2013 (18)

Slipware pottery for the Bideford Kiln firing at the Kiln in the Park by Hannah McAndrew.

Hannah says: The three with white bands at the top are for some sgraffito. I have some jugs too but they are yet to be handled.

Come and see these in the cornucopia of pots at the Pottery Festival in Bideford North Devon 16th to 22nd Septemeber 2013. Full calender available on this blog.

Leave a comment

Filed under ceramic, lead glaze, pottery, scraffito, seventeenth century

North Devon dishy dish.

N Devon plate Jamestown 1660-1680

All the Way From America….Jamestown. 1660-1680.

Leave a comment

Filed under ceramic, charger, Jamestown, lead glaze, pottery, scraffito, seventeenth century, Uncategorized